Tuesday, 25 June 2013

Burlesque and Dr Who: An Aspie perspective





My lovely young man, as those of you who know him personally can attest, has that delightful Aspie predilection for the Truth. Said Truth will be announced at full volume regardless of time and place, and definitely, with true Apsie disregard for tact or diplomacy.
So, yes, he did go up to the actors at the end of our local Amateur Dramatics production and say, “You weren’t very good, where you? The prompt said most of your lines.” And he did tell the neighbour that our cat had killed his Guinea pigs at our Christmas drinks party. And when I asked his opinion of my outfit for a friend’s wedding he did say, “It’s a bit much.”
So last weekend, Hubs asks him if he’d like to go to a Burlesque evening. “Hell, yeah!” came the response. (Very generous offer of Hubs who was to be out of the county that weekend). I, of course, am trying to be supportive and discreet. I anticipate that it wouldn’t be cool to be with Mum, so I’m thinking I can be a steward at the event as it’s in the Arts Centre where I volunteer. Yeah, right: we both went to the Burlesque. Now, if you haven’t been to a show, basically it is a series of acts: each woman delivers a ‘scene’ or a dance, each losing their clothing item by item, from glove to stocking to corset, to end up in panties and nipple tassles. Some women are bigger than others (in all departments), some are energetic, some are elegant, some can twirl bits you cannot twirl yourself. It is kitsch.
Well, I was terrified –imagining all the possible inappropriate comments that I might have to field.
I was wrong.
He simply decided to take it all at face value, commenting positively on their outfits (loved Jessica Rabbit), their dancing, and their quirky humour. He appreciated the fan dances and explosions of glitter, and clapped enthusiastically at the end of each piece. It was a joy to be out with him.
Now, yesterday, he had an invitation to attend a drama student production called Dr Who Through Time. He is no stranger to drama and theatre (well, he is mine), and is a huge Dr Who fan (for fan, read Aspie obsession).
As we arrived to buy our tickets, I noticed the students getting ready and thought, hmm, this could get interesting. These were the Foundation students, with a wide range of special needs, physical disabilities and learning disabilities. The costumes were hand-made, low-spec, teachers hovered to prompt in every corner, and Dr Who was a girl!
An Aspie nightmare. So, yes, I’m mentally strategizing all the possible damage control I’m going to have to manoeuvre.
And blow me if he didn’t do it again. He complimented the effort that went into the costumes, loved that one of the Daleks was a bloke in a wheelchair, laughed at their jokes, and added a few himself. “So that’s what happened to Elvis, the Daleks have him!”
He was Mr Compassion and Generosity. I could not have been more proud.
We can get so caught up meeting the challenges of our children’s disadvantages that we sometimes forget to see the personality beside/behind the ‘condition’. It’s so lovely when we see them shine way beyond it and prove the world wrong.

Tuesday, 21 May 2013

Cloud Atlas - the genius of David Mitchell



Cloud Atlas – in the hands of genius, David Mitchell.

Firstly, if you love reading – read this book!
If you love thinking – read this book!
If you love writing – read this book!

Actually, if you’re in the latter group, maybe think again. You know when you can sing, a bit, fairly well, then you hear someone (like the lasses in Lady Maisery) who can really sing, and you think, mmm, maybe I should shut up? Well, Mitchell could be the person who makes you put your pen down forever.

But wait – OR, he could be the genius rule breaker that inspires you to believe in yourself and your own voice so much that you continue to dare.

I am in awe. Truly. And that’s not an easy thing to get from me. I am astounded at the man’s mind – the expanse of his imagination, and philosophy and intuition and profound understanding of humanity, and beyond. I imagine the wall chart he drew while planning this book – which has to be in concentric circles, while he flicks arrows across timelines for the links and delicious clues. (Well that’s how I would do it).

I don’t want to do spoilers –but the Sonmi-451 chapter is a scary gem of foresight into where we might all go. What makes it work is the wonderfully economic language born of text- speak and monopolies where cars are now only referred to as fords, and everyone has a handsony, and the chip from your bank card is now in your fingertip.

Okay, so I am deeply jealous of someone who can so apparently easily write the completely engaging and time-specific dialogue and language of the 1800s, the 1970s and 2025 or something and still make me reach for my dictionary. And the nerve to cut a story off – mid sentence – really!

But the real beauty of this work is that his people are real. Their dilemmas are real and I laughed with them, and cried for them. I had to stop and re-read so many passages out of sheer love. I finished it last night. I re-read the ending this morning. Where did he get the inspiration for such a perfect last line?

If that all sounds too much, visit Ghostwritten first. Beautiful work, but maybe less of a mind-f**, said with respect, that will draw you in to his expansive world.

I haven’t been able to write a thing while I was reading it – but now I’m done, I’m bursting. That makes Mitchell a friend.


Tuesday, 26 March 2013

CSI and Aspie logic

Oh, how I wish you all your own adorable Aspie - because sometimes the laughter is precious!
So, we're watching his favourite CSI (thank you, Granny in Derry) and the plot is a murder, possibly by the police dog - which, of course, makes no sense - the dog is trained for everything but.
Turns out the dog is French, from Paris (how, why???) and only responds to  Laissez! Tomber! Venez! etc.
And the story pans out and all is eventually well, when the dog now understands all English for the finale.
Adorable Aspie says, Wow. The dog understands enough English now to have a new owner.
We say, well he wasn't really French.
Ooops. Wrong answer.
Of course he was French -or he wouldn't have known how to act.
Darling, maybe they added the lines later?
Well, yes, the English ones.
Ok.
How did he understand the French?
He was Canadian.
Hubs suggested it was a CGI dog.
What??
Silence!!
Yes - a brilliant French-Canadian canine actor. Of course.
All love to simplicity of logic and our gorgeous Aspies everywhere who stop us talking sh**e.

Monday, 18 February 2013



Black Mirror, me and hype.
So, I keep catching these adverts that are all spooky and sinister and intimating psychologically thrilling plotlines. Excellent. Reel me in.
Great opening – a nice, awkward and real relationship (albeit with some slightly unhinged but now conveniently dead parents). Fine.
Question: why has the bloke got an Irish accent if he grew up in England? Even if both his parents had, he wouldn’t. I should know – my very English son surprises everyone, given that I have a recognisable twang myself. And by way of the latter, I love to hear a good regional accent, or better, an actor using their own regional accent in any programme, but can’t the writer spare one teeny plot point to make it credible?
So, he dies, wifey is distraught, friend recommends weirdo ‘project’ to help. Now here’s where the wee brain goes into hyperdrive. What is the purpose of the ‘project’? How is it supposed to help – as the friend said it would?
I’m imaging some sort of 21st century techno grief counselling: supply you with a shadow of your other half to comfort you while you process your loss, until you are in a place on that journey where to recognise them as a shadow is in itself, part of your healing. Then it all ends and you move on. Great job, excellent service.
No. They had to go and make marshmallow man: a rehydrated blow-up doll of your loved one. Eeew!
Once you’ve left him there to, em, inflate, hydrate…and when he’s done it well enough – shag!
Now, I’m working hard on ignoring the fact that blow-up dead other has returned as a plastic Aspie, and trying really hard to believe he doesn’t smell sickly sweet – which has to be better than sickly – even so…wanted to laugh when the sister commended her for moving on (in what must have been weeks if she failed to notice her pregnant state!)
It gets interesting for a while, as dummy absorbs and regurgitates more convincing bits of speech and ‘memory’. (Still not sure if I’m glad there is little video footage of me on the planet or not – who knows what marshmallow me would be?) And wifey has more to process and struggle with  -and when she takes him to Beachy Head (why does every location in a movie of the South have access to Beachy Head?? I’d have jumped Ramsgate or Dover equally, I know Hove and Bogner are a bit flat…) I finally believe her – and, no, his pretend crying would not have worked. It should have ended there. She should have made him jump – and if distraught, jumped herself. That might have meant something.
BIG CRINGE. The ‘epilogue’. Marshmallow man lives in attic and eats cake – but only on weekends!!!!!
No techno grief counselling working there then. I fear I expect too much of the future…

Friday, 25 January 2013

Les Miserables: my miserable truth

After our first attempt, thwarted by the unrelenting snowfall, we made it to Les Mis in the cosy atmosphere of the art deco-esque Ritz. I'd loved the stage production in the West End, and had wept at 'Empty Chairs' and 'Bring Him Home'.

A few years after, at Drama school, we had to present a 'big song'. I was rehearsing 'Bring Him Home.' I could barely get two lines out before the emotion overtook and I was in tears. If I made it to four lines, the rest of the class were in tears. So, I went to see the film with an open heart, and high expectations, tissues packed as warned by those who had gone before me.

As we're leaving the cinema Hubs says, "How was that for you?"
"Well..." I answered.
"That good, eh?"

Well...it was very fortunate that there were no actual French people in France at the time of the Revolution, because that would have made casting so much harder. As to why Jean Valjean was Irish as a criminal in his first scene, yet English/Oz after nineteen winters of hard labour, I simply have no idea. Though the timing of the lovely Northern Irish accent calling out over the barricades, "We need your furniture, now!" was either subtley political or overtly humorous. Personally, I laughed.

And why did all the Revolutionaries have their hair done like One Direction? With that and his higher-than-expected voice, Eddie Redmayne has turned into a choir boy, and as such can no longer be lust material. And sorry, girls, but Hugh Jackman warbles! 'Bring him HOWOWOWOWOWOME! He's afrAYAYAYAYAYAid!'

The only pleasure was the astounding cinematography, Hathaway's heart-wrenching rendition of 'I dreamed a dream', and the satisfying crack of Javert's body as it breaks over the weir.

It was always a plot too thin, for me; that a man could steal a loaf of bread, spend 19 years jailed for it, and be hounded for breaking parole by an officious policeman who can't give up the chase, even with a Revolution in the Country's Capital to subdue. Maybe that's all you can expect if you condense one of the longest novels written into two and a half hours.

"So how is your cold heart sitting in your boots, dear?" asks Hubs.

Tuesday, 8 January 2013

The end of India




 I last left this story after my long, dark night of terror...this is how the trip ends...



I told the trek leaders I wanted to get off the mountain the next morning, cup of breakfast chai wobbling in my already trembling hands at 7.30 am. They promised to get me to the village we were aiming for and from there we would decide what to do.

We crossed the hills to a school that morning. The pathways were wider and I felt safer – or perhaps I’d just run out of fear. We began another descent, but the guides were always ahead of me to block my view, and the trekkers who dropped back to become Group 3 walked with and around me, taking my hand as needed. At the bottom of this hill was another river pulsing rapidly over rocks that we were meant to hop across with the ease and grace of a gazelle! It was around this point that I acquired Ashok, my own personal Sherpa. I don’t know if he took it on himself or if he was ‘assigned’ the task, but he stayed with me for the rest of the trek, my silent, sure-footed guardian, with no coat, and tattered trainers.

After lunch, trek leader, Paul, pointed up to the heavily wooded steep ascent ahead and asked if I wanted to come. “No,” I said, “you promised.”

Three other women were in trouble. One had a chest infection she thought she was over, another had terrible blisters and our only case of Delhi belly, and the other (our oldest at 75) had had a fall and was shaken. So the four of us were taken off in a jeep (after another hour’s clambering over rocks back to the river and across yet another rusty floored rope bridge) to Chongay’s guest house. It was an adventure in itself – driving on these roads wasn’t much safer than walking the mountains! Chongay’s family were originally from Tibet, so we learned more of that culture, his way of life, his values and beliefs. We were fed and watered and asleep by ten o’clock, not rising til 9 next morning. After breakfast (the first I’d managed to eat), we were driven back to catch up with the others at another point of the trek. Herein lay the moment of truth: would I have the courage to rejoin them for further climbs in the mountains, or would I retire to the safety of the village? Three of us went ahead.

Although a steep climb, the paths were wider as this was a known tourist trek from McLeod Ganj to Triund Hill. We caught up with the rest of Group 3 at the chai shop ‘Magic View’, and on we went together again. Arriving on the plateau to the surprise of groups 1&2 was my first sense of achievement. Around the camp fire I taught them all a song (yes, I can sing when I’m not crying). Paul confessed that he was glad I hadn’t been there the previous afternoon. ‘I’d have had to blindfold you,’ he said. It was a treacherous climb that everyone found difficult. Trees had come down blocking the way so that the mules had to turn back, two injured on the way, and bags were ripped. I’m glad I wasn’t there.

From our camp on the plateau, the next day would be our final ascent to our summit – Paul pointed out a temple 2mm high up a mountain with no discernible pathways. Did I want to go? Honestly? I was tempted to say no, as I was pretty happy with overcoming my fear and coming back up this far. But would I regret not trying? Group 3 made the decision for me…’but we’re taking you.’ And so they did. For that final journey, Paul swapped the order of the groups and we went first. This time we would have altitude to deal with, passing through the clouds, almost reaching the snow line.

It wasn’t an easy climb. The guides were leaving markers so the others would know which path we’d picked out over the ridge. But it was a happy climb: totally bonded now as a group, we were determined to succeed. It was a delightful surprise, when half way up, just over a verge, was the most beautiful sun-filled ‘valley’, a glacial moraine, providing a wind-protected sunspot with its own chai shop. We stopped a while enjoying our warm drinks and success, before setting off again to stay ahead of the others.

Layers went on as we continued to climb, and clusters of frozen hailstones appeared at our feet. Ashok, coatless, zipped up his hoody, and continued beside me. At the top, the little concrete temple provided a base for us to sit and reflect. Paul gave us prayer flags for us to write our name on, the name of the person we were there for, and a message to them. There were tears and hugs and smiles as we made our mark. Then while we had lunch, we had the pleasure of watching the others arrive; the looks of pride and amazement as each one made the summit. (Though a little voice was niggling in my heart – the cloud was closing in and I still had to survive the descent to camp.) Again Group 3 headed off first and we were more than 2/3 of the way down when the hail hit us – huge hailstones in the Himalayas! As I crossed the plateau into camp, Chongay started to clap ahead of me. ‘What are you clapping for?’ I asked. ‘You’re first to complete your trek!’ And I was.

It was a peaceful and relaxed night around the campfire in the knowledge that all that was left was the homeward stretch back down the tourist path – broad, if bouldered. The morning brought the sun. I attached one of my poles to my rucksack, now un-needed, and marched down the hill – my poor Ashok looking a little dejected as my confidence finally took over. When I arrived at the bottom, I called to Chongay that I hadn’t once said the ‘f’ word. He gave me a delighted hug.

We finished that afternoon by being jeeped back to McLeod Ganj to see the Dalai Lama’s temple which was spacious, but appropriately unassuming. Some people expressed surprise that it wasn’t grander – but how could it be? Nothing would be more wrong pitched against the poverty of this nation. A gilded cathedral would be like a knife in the ribs. We went shopping in the market, and our rupees were gratefully received. I’ve never been happier to spend money.

The next day we left the mountains, their majesty, their clear air and their light to be plunged once more into the hot uncomfortable travel by coach and train to arrive in Delhi, at midnight, in the most beautiful hotel, where we were to have 4 ½ hours’ sleep before driving to the Taj Mahal in the morning!

Delhi is a true culture shock: the smells, the dirt, the smog, the rubbish. I watched a pile of bags stand up into a human being and begin setting out their meagre market wares. Rubbish, particularly plastic, is everywhere. We witnessed a commotion by the railway track where a man lay dead. Others sleep and live in the railway station, immune to the people stepping over them to go about their day. And all the way along the main roads, the towns displayed the same lifestyle: tiny, dusty homes with no electricity. I wondered what they had to do all day, what they had to eat. I felt guilty about all the money we spent on equipment etc to be in India on this trek, and all the money we had raised for our charity back in the UK and it didn’t sit entirely easy with me. By the time we got to the Taj Mahal, it was midday, Saturday, and 32 degrees. I looked at this marble wonder and couldn’t appreciate it. I thought of the cost, the hours of labour, the people who died on the task – and the ridiculous notion that it was all made in honour of the ruler’s dead wife…she’d never even see it!

Then it was five more hours watching street life from the coach as we made our way to the airport.

It has been an immensely challenging journey – one that will stay with me for a long time. I still dream about some aspect of that trip every night. India reminds me to be deeply grateful for all that I have here: a comfortable home, food, heat, the NHS, safe cars and roads. The list is long, but let me end with how incredibly lucky we are to have organisations like St Margaret’s Hopices who deliver care and attention to our loved ones at the end of their days so that the dignity of life remains paramount.

And thank you for your support and generous donation for mine and their endeavours.


Tuesday, 4 December 2012

Brit Writers Awards 2012



Brit Writers Awards 2012
After weeks of secret discussions and piles of research on the growing guest list, it was very exciting to get to the Thistle Marble Arch and meet my co-hosts (Rebbecca Hemmings and Saima Mir) and all the tech crew to check out the itinerary for the evening.
By the time it was ready to go, it all looked fabulous. We all looked fabulous! I have never presented anything on this scale before so I was a tad nervous. But there was no time for that. I had to get out there, mingling and answering questions while the rock band went to get changed in my room. Ah! Where did I leave my dirty…thank you, lovely hubby, for protecting my dignity!
After the amazing young dancers who led us all into the dinner, we took the stage and wallowed in the buzz that was permeating the room. It was alive! Full of writers, performers, singers, celebrities, publishers, agents, more writers…a hum of creativity as people found like minds with whom to talk.
I had particular fun with some of our overseas guests: Mykel Hawke wanted me to tell him the winner in his category so he could practise saying the name. “Only one problem with that, Mykel,” I said, “It’s a competition – I don’t know who the winner is!” But it was a fair question – the pronunciation, that is. The BWA has become so multicultural and international the names represent the world.
My only difficulty through the event was time-keeping: every speaker was so interesting and had so much to share about the world of words, I could have listened to each of them all night but I had to keep the slots tight! We were surrounded by the most amazing wealth of experience in so many areas, it was simply an honour to be there listening.
And on top of that I got to meet my own publishers – the delightful Ronnie and Dawn of Indigo Press.
There is one very exciting year ahead. Thanks to Imran and Brit Writers for making it possible – for me, and all the fabulous finalists and winners on Saturday night.
Ps I still want an award!!
Pps Tatiana Wilson had the best shoes!!!!